Tour de France 100


VeloPress has released a new book celebrating the 100th Tour de France called, obviously enough, Tour de France 100. The text is written by Richard Moore, the author of such volumes as In Search of Robert Millar and Slaying the Badger. And while Moore gets top billing, the book’s subtitle is “A photographic history of the world’s greatest race.” The true stars of this book are the many photographers whose names appear in 6 pt. type at the back of the book. Moore’s role as author is to give context and overview rather than try to replay each of the 100 editions of the race. It’s a study of the sport’s stars, the ultimate box set of the race’s iconic events.

The book is built largely from the Getty archives, with many previous photo agencies co-presented with the Getty name, such as Gamma-Keystone and Popperfoto. The photo world sometimes grouses about the dominance of Getty, but in buying up so many archives they made a book like this not just possible, but richer for it. Sometimes the permissions process is too onerous to include the images that would best fit the account; it’s a shame. Worth noting is the work of photographer Roger Viollet, who is the star of the show for the first half of the book. While you’ll recognize an image here or there, the bulk of the images prior to the 1990s are likely to be new to you.


Were this a slide show, Moore’s text would make for the perfect narration, reminding us of the storylines that dominated each year’s race. He not only covers the racing action, he brings in the present, reminding us that Raymond Poulidor is still a fixture of the Tour, and in that is not only a part of the rich history of the race, but he’s a part of the race’s public face even now.

Moore doesn’t shy from the topic of doping, either. Had he dodged the subject, this book would have suffered for it. He addresses the scandals throughout the years head-on, and while Lance Armstrong may have been expunged from the record books, this volume points out perfectly a point I’ve made previously about making peace with our past: Mellow Johnny is still in the photos.


Moore’s love for the race comes through in that he neither shies from the race’s more sordid events, nor does he condemn them. It’s a deft balance he strikes and in doing so he has created an account of the race befitting its title.

Coffee table books on cycling are so plentiful that coming up with a new excuse for one is hard, but if ever there was a reason for a photographic retrospective of the Tour, the passage of its 100th edition is it. This 11″ x 12 1/2″ edition is the largest format book on cycling in my collection, and at 250 pages, it’s not a slim volume either. With a suggested retail of just $34.95, this book is a no-brainer for any cyclist’s collection.

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