Friday Group Ride #142

November 9, 2012 by  
Filed under Body

The bike industry has this funny habit of trying to sell me things I’m not sure I need. It is all change, all the time, and the trick of it is that some of the change is good and some of it is just expensive. I think of myself as a discerning consumer, but my parts bin will testify to some imprudent consumption throughout the years. It happens.

This year there are a couple trends that have me puzzling.

The first one is 650b mountain bikes, and let me come right out and say, I own one. In fact, it’s the only mountain bike I own. And it’s a single-speed, which makes it a lot like a unicorn in the mountain bike universe where everyone seems to be on a dual-suspension 29r anymore.

The conventional wisdom on 650b (or 27.5 for those of you who want the world to make sense) is that it combines the best of 26″ wheels, the weight and handling, with the best of 29rs, obstacle clearance and rolling speed. The new (actually old) wheel size is even being raced at World Cup level, so if there is some kool-aid drinking going on, it is not limited to a bunch of engineers in the parking lot of a bike company. This thing is happening.

At Interbike, Ritchey even displayed a 650b bike Tom built for himself, and raced, in the ’70s, perhaps just to confirm things we already knew such as, everything old is new again, AND Tom Ritchey is cooler than you or me.

Well, let me tell you, I have ridden 650b, and I like it. I’m not such a trail shredder that I will attempt to communicate in technical terms why it does what people say it does, but I do like it, and coming from a 26″ bike, I think it makes sense for my limited riding style and general propensity for impracticality.

The other trend, and this one is bigger and I’ll wager more interesting to RKP readers, is disc brakes on road bikes. Everybody’s talking. The big builders are rumbling as though this is going to be their next thing, but there are only a few market entrants at the moment. Volagi makes the Liscio (and soon the Viaje) and Colnago makes the C59 disc. Lynskey just announced one. Canyon showed one at Eurobike. And there are others, but chances are you haven’t seen them on the road yet. All current models are running mechanical discs while we wait for a really good drop bar shifter that will support hydraulics.

This week’s FGR is technical and wonky. Are these two trends worth our time? Do you see the value to 650b trail bikes? Will you go disc on the road? Why? Why not? Have you ridden either one? Share your experience. If the future is now, are you going along for the ride?

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NAHBS: Great Lug Work

March 4, 2011 by  
Filed under Machine

Atmo’s Newvex lugs in a naked frame.
Given the way coverage of NAHBS has exploded in the last few years, I came to the conclusion that there’s really no reason for RKP to be an also-ran in the custom-bike blogosphere. To that end, I’m going to continue to slice the coverage into more interesting chunks, rather than just another image dump.
I heard many people compare NAHBS to what Interbike either was or should be. It’s an interesting thought, though one that is unrealistically idealistic in my opinion. Interbike is an always has been a mission to introduce retailers to lines that would like to be on the floor of respected bike shops. The NAHBS mission is entirely different. Sure, every builder in there would like to write at least enough orders to make their trip pay for itself, if not run solidly black in both ink and bottom line. However, the real point of the show is to get visitors excited about handmade bicycles. You can only read so much about handmade bikes before you reach a certain point of critical lust at which point you either tune out because of insubstantial capital infrastructure, or you get serious about your lust and begin shopping for your next bike. NAHBS is the tide on which all these guys are rising.
I spend a lot of time riding, reviewing and inspecting handmade frames in the mid-1990s. At the 1996 Interbike, both Nova Cycle Supply and Reynolds (two of the biggest tubing suppliers in the U.S.) bought booth space enough to allow many of their builder customers to display bikes. I spent entirely more time in those two booths than was justifiable given my journalistic duties. Any time I had five minutes to kill between appointments, I could be found in one of the two booths.

Sachs’ lack of overflow silver is part and parcel of why he is considered the best in the biz.
Later, Hank Folson of Henry James bought booth space at the Los Angeles Bike Show consumer event, in which a dozen or so builders showed off their frames.
What I can tell you about the 15 or so years that have passed is this: handmade bicycle frame building is enjoying a renaissance of outsized proportion. We will look back on the 1970s and ’80s as the Golden Age, a time when craft was high and handmade frames dominated the very top of the market. Today, carbon fiber is clearly the dominant material, but the quality of work today—when viewed as a whole—is significantly greater. The least interesting frame I saw at NAHBS (and I honestly couldn’t name anything I saw as uninteresting) was easily as good as the best stuff I was seeing in the 1990s.
The Newvex BB.
Bicycle Guide’s “Hot Tubes” column was criticized by two prominent builders on one occasion in which they noted to me how two consecutive builders we had featured were recent graduates of a popular frame building class and the frames we had featured showed only the most minimal lug work (i.e. the casting seams had been filed down, but no more than that). What was on display at NAHBS showed a great deal more creativity and work.
What follows are some shots of lug work on some of my favorite frames from the show.
Classic Nervex lug work by Roland Della Santa.

Front view of the same frame.

This pantographed, investment cast seat lug is a hallmark of Della Santa’s work.

Michigan builder Herbie Helm came to our attention last year thanks to his ultra-ornate lug work.

The tail light integrated into the seat lug becomes extra cool when you notice the cable exit.

The curls in the head tube lugs recall those of Nervex—theme and variation; Glenn Gould for frame builders.

These wrap-around seatstay points are courtesy of Dave Kirk.

Bronzing is unusual for frame finishing; the thinned point and diamond cut-out on this Cielo are beautiful.
Sometimes the simplest touches, such as the stainless steel, polished seatstay caps on this Cielo are pure class.
The ultra-thinned points on this Ritchey frame are stunners. This frame dates from the mid-’70s.

Randonneur frames were all the rage and this naked frame from Ellis combined randonneur touches with Di2.

The amount of polished stainless steel on this Ellis would put Detroit’s finest to shame.

It would have been easy to go overboard on a bike like this; the lug shaping shows taste and refinement.
The one-color paint is rather lackluster, but Mark DiNucci’s lug work is second to none.

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Ritchey Streem Saddle and 1-Bolt Seatpost

September 17, 2009 by  
Filed under Machine

IMG_0431One of these days, I’m going to interview Tom Ritchey. When I do, I intend to ask him where he gets his ideas for new products. I don’t know that I’ll get an answer—I might as well ask Dave Matthews where he gets his song ideas—but I intend to ask him nonetheless.

For me, Ritchey Logic products have been shorthand for strong, lightweight and well-engineered solutions to essential parts and problems since before I became a cyclist. Over the years I’ve owned stems, seatposts, pedals and mini tools. I’ve reviewed probably a dozen bikes that spec’d Richey products for OEM sales. I can’t count the number of times that a Ritchey product at the time of its release was the lightest on the market.

That said, I purchased a WCS Carbon Post 18 months ago or so. While it has performed admirably, I don’t care for the two-bolt design. It is a frustration to adjust and changing saddles—which I do from time to time for the purpose of reviews—is a slow and time-consuming process.

IMG_0427Which brings me to the WCS Carbon 1-Bolt Post. The last time a seatpost impressed me was the Specialized Pavé seatpost and that was in 2003. There are plenty of 1-bolt posts out there. What makes the WCS Carbon 1-Bolt Post different is the nature of the clamp. Most of you won’t change saddles very often, so ease-of-installation probably won’t impress you much. Regardless, I’ve never experienced a seatpost on which saddle installation was quicker. But here’s a real selling point: As you tighten the seat clamp, there is no drift; wherever you place the saddle is where it stays. For purposes of fitting, I found this to be a notable benefit. Admittedly, once the saddle position is established, this stops being a selling point, but it impressed me for its ease.

My favorite feature of the seatpost isn’t specific to this one post, but rather Ritchey’s line of posts. Between the different iterations, Ritchey seatposts come in four diameters (27.0, 27.2, 30.9 and 31.6mm), four lengths (280, 300, 350 and 400mm) and four setbacks (0, 20, 30 and a whopping 45mm). The 1-Bolt post is available in three of those diameters (27.2, 30.9 and 31.6mm), two lengths (300 and 350mm) and two setbacks (0 and 30mm). The proliferation of production-sized carbon fiber frames shouldn’t mean a reduction in the ability to fit and its nice to see a company so dedicated to offering a wide variety in seatposts without resorting to a wonky solution—shims anyone?

IMG_0433It’s also lightweight. The post I reviewed weighed a bantam 172 grams. Naturally, the next question is what this lightweight post retails for either $214.95 or $224.95, depending on the seatposts diameter. Those who think it unreasonable to spend that much on a seatpost can save more than $125 and pick up the alloy version (which comes in all the same diameters and lengths as the carbon version

The clamp kit is available after market for $16.95 and comes in several different versions: 8 x 8.5mm (for Ritchey and Selle Italia carbon rail saddles) and 7 x 9.6mm (for Fi:zi’k carbon rail saddles). Different clamp kits exist for the carbon and alloy versions of the 1-bolt seatpost.

IMG_0432


Waxing rhapsodic about a seatpost is about as silly as analyzing the stylistic underpinnings of Kelly Clarkson. That said, as a matter of minimalist industrial design, the 1-Bolt seatpost is elegant in its simplicity, both in ease of use and svelte appearance. Torque spec for either clamp is 12 Newton/meters, something I would encourage Ritchey to print on the packaging for the seatpost and the seat clamp; laser-etched on the clamp itself or printed on the seatpost wouldn’t be a bad idea.

IMG_0426The Streem saddle is Ritchey’s answer to the traditional saddle for those who would prefer their saddles not resemble toilet seats. The folks at Ritchey say it resembles an SLR, and while the bird’s-eye view sees the logic in this comparison, my last experience with the SLR was unpleasant enough (the saddle was upper-lip stiff) that I wouldn’t be eager to try one again.

The key to the saddle might be its patented “wing” design that suspends the shell of the saddle above the rails in order to cushion the rider from road vibration and shock. Or it may be that they are simply using a thinner shell, resulting in a more flexible base.

I’ve got fairly broad hips; in the Specialized Toupé I ride the 143mm-wide edition. I suspect that riders with narrower hips than I will find this saddle especially to their liking. For me it was rather minimal, but still worked. Anyone with hips wider than mine might find it akin to sitting on the top tube due to their sit bones falling at the edges of the saddle shell.

Amazingly, the saddle is available in four different configurations. Each shares the same shape and debossed leather look; what changes is the type of leather and the rail material.

IMG_0435The Aston Martin of the bunch is the 144g, real leather-covered, carbon railed Streem, available in Model T black or PRO white. It retails for $179.95. The Lexus features real leather, CrN/Ti rails (which are essentially Ti rails with a chromium-nitride coating which, from what I’ve read, helps when shaping the rails, making them less brittle) and available in black or white as well. Mine weighed 200g. Retail is a less-stratospheric $99.95.

Anyone offended by the high-end offerings can choose from Chrome-Moly rail, synthetic leather edition for $61.95 (said to weigh only 210g) or a steel rail, vinyl-covered version (250g claimed) for only $36.95. It’s refreshing to see a company meet consumers at such a variety of price points.

In riding both the carbon and Ti rail versions of this saddle, I had the impression that the carbon version did cut road vibration perceptibly, though slightly. Bump impact wasn’t cut at all, but then I wasn’t expecting a suspension post effect.

IMG_0430I’m not here to pass judgment on whether someone wants to build up a 13-pound bike. I can understand the desire to have an unsurpassably cool bike. I can also understand the urge to say, “Enough is enough.” That said, if you covet the carbon saddle (and believe me, I can understand why you might), make sure you purchase the 1-Bolt Clamp Kit, otherwise the 12Nm torque applied to too-small clamps will crush the carbon rails like teeth in celery.

Great saddles can be argued about ad nauseum; there’s no right answer. But this 1-Bolt seatpost is a thing of beauty; it truly epitomizes what Ritchey has always stood for in my mind—simple, lightweight and easy-to-adjust designs, the very meaning of elegant.

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