Thanksgiving IV
When I think back on the moments from this season that excited me to be a cyclist, my mind turns on two events. They are Fabian Cancellara’s attacks that resulted in victory at the Tour of Flanders and Paris-Roubaix.
Cancellara’s wins were impressive, but what made me love them and return to them in my head, over and over had as much to do with the attacks as the wins themselves. When Cancellara attacked on the Muur de Grammont, he did so for reasons that were more than just strategic. He chose that spot as much for its historic importance in the race.
After the race was over he said, “I suppose it was a perfect race. Even my attacks were perfectly timed. Going on the Molenberg was the right moment and then I had to try on the Muur [de Grammont] because that’s where the legend and history of this race are made. When I realised I’d dropped Boonen it was like having wings on my feet and kept going all the way to the finish.”
Just a week later he accomplished the rare feat of taking the Flanders/Roubaix double, but of course, he didn’t attack just anywhere, but moments before entering the Mons-en-Pevele sector of cobbles—one of the truly decisive sectors with a history of changing the race.
Despite an idiotic effort to dull the luster of his wins with an allegation of using a motorized bike, Cancellara’s wins have given us the opportunity to revel in watching a stunningly strong cyclist ride the world off his wheel.
His wins were convincing. They were well timed. They were brave. They were also incredibly stylish.
I love style. I love PRO. But style is a luxury. It is the flourish that comes only when the rest of one’s craft is assured.
This is a lesson I learned in skateboarding more than 30 years ago. My friends and I could carve a brave line in a pool, grind the coping, even catch air. And while we were competent, most of us were short on the confidence that gave our posture on the board that extra spice that could make our friends cheer.
What I came to appreciate was how the arch of skater’s back sang of assured grace, how balance wasn’t a goal, but a plaything. That gently curving spine was all choice, no question.
Watching Cancellara spin a gear lower than Tom Boonen, stay seated and then drop him on the Muur de Grammont was an attack I could believe. After all the doping scandals, all the questions, it was a move I didn’t doubt. There was style in his strength and it was a moment I cheered.
Move of the Year
John Pierce of Photosport International has continued to edit images from Flanders and sent these along. Consider them a sort of portfolio of the day, a whole race distilled into a few magical moments of the race’s most pivotal stretch of cobbles, the Muur de Grammont.
Images: John Pierce, Photosport International
