Chris King

The headset pictured above was manufactured the year Jimmy Carter was elected President of the United States. The year the U.S. celebrated its bicentennial. The year Frampton Comes Alive! was released. The year Taxi Driver, All the President’s Men and Rocky hit the theaters.

I was riding a kid’s bike. Because I was still a kid.

I didn’t know who Chris King was or even what a sealed-bearing headset was until I moved to Massachusetts shortly after Greg LeMond’s second Tour victory. It was while working in one of the bike shops that served the huge college population that the shop manager educated me about the wonder of Chris King headsets. He showed me how well they were made, convinced me how little service they needed, demonstrated how they were impervious to nearly everything—including ham-fisted wrenches inclined to over-tighten a headset.

I’d long-since learned how a headset adjusted too tight would pit. The technical term is brinell. Whatever, we all called a headset ruined by over-tightening “indexed.” It was one of my favorite shop jokes.

King headsets were the most unlikely of devices. I couldn’t wrap my head around the idea that some little company in Santa Barbara, Calif., had come up with an answer to the headset that had no flaws, at least, none that I could find. Sure it was expensive, but if you never had to replace it and knew it would survive almost any event, then wasn’t it easily worth the price? Sure, the Campagnolo headsets were wonderful, but I’d had the fear of God instilled in me by another mechanic who taught me that if you over-tighten a headset—no matter how briefly—you’ve already started the brinelling. It’s bearing cancer. The headset is dead, but no one knows just yet. To this day, I’ve never run across an indexed King headset. I’m sure it has happened, but not often enough for me to encounter it.

So I began purchasing Chris King headsets. Every time I overhauled a bike I owned, I’d replace the headset in it with a King unit. I even figured out how to overhaul the headset that was in my Merlin mountain bike. I had some dental tools that would allow me to remove the C-clips so I could clean out the bearings and races and then squirt fresh grease back in. When I sold that bike 11 years after first building it up the headset was as smooth as it was the day I installed it, and that was no small feat given that the first five years I had that mountain bike I rode it with a Ritchey fork. Put another way, it was rigid, and that means that headset took a beating.

Ultimately I sold each of those bikes and I suspect that no matter how many parts have been replaced on them, the headsets are still going.

King came on as an advertiser last week. Enthusiast media and advertisers have a curious, symbiotic and sometimes grossly incestuous relationship. Readers often wonder (understandably, if we’re honest) just how much of that love was earned rather than purchased. I count Chris King himself an acquaintance. Two of his employees are friends. We’ve been circling around one another, professing our attraction, flirting a bit, but never heading out for the date.

So last week, they finally asked me out. It means a lot to me both personally and professionally. I always wanted our advertisers to be a collection of companies that I believed it, that in aggregate it would be an implicit statement about not just who believes in RKP‘s content, but also an indication of what we respect.

I plain, flat-out, like these guys and this company. At this point it would be easy to request a Cielo bike, a set of wheels, just a set of hubs, or yet another headset. I’ll probably review something of theirs in the not-too-distant future. Why? Like I said, I like the stuff and it would be fun to try something of theirs I haven’t had the chance to ride much, if at all.

That said, I’ve wanted this blog to be transparent in how it works, what the relationships are, and it occurred to me when I received the new ad from King that what I really wanted to talk about were those headsets I no longer own. It’s funny, but once a company starts advertising, getting product to review usually becomes exponentially easier. It’s an odd phenomenon.

Because RKP started so small, we weren’t on everyone’s radar. And despite amazing readership growth, there are still companies that don’t return my phone calls. This, despite my 20+ years in the industry. So there are times when the publication of content about a company and the arrival of a company’s ad can seem oddly coincidental. In our case, it’s just taken some time to get some of these relationships going. Because what we are doing isn’t published by one of the traditional, mainstream publishers, there are loads of companies who have taken a wait-and-see attitude.

We’re talking to a bunch of companies about advertising with us. We’ve also got a fun announcement looming. These changes, these additions are part of a larger plan. I want to offer more of the kinds of content that RKP provides. I’d like to bring in a few new voices, people I think would fit with what you’ve come to enjoy here. Advertising is the engine that will drive that. And to the degree that we end up writing about those advertisers, it’s because we liked what they were doing long before they requested our media kit.

 

Levi Leipheimer’s King Ridge Gran Fondo ’11

The forecast for my favorite event of the year and the event I’ll go to the mat arguing is the best day of cycling in all of the Americas was for wet. Fog, mist, possible rain, it wasn’t a day to have a camera on your shoulder. Ugh.

In the previous editions (both of them), Levi spoke to the crowd from the announcer’s dais, which is to say that unless you were within 20 feet of him, you couldn’t see him. This year he stood up on top of a Sprinter van and the excitement the crowd drew from actually seeing him was palpable.

And then we were off. And by “we” I mean an incredible 7500 cyclists. It’s the biggest one-day event I’ve ever taken part in. The start was a bit sketchy, with everyone within 100 meters of me attempting to make sure they stayed in the front 20 riders.

Fred Rodgriguez talks with Specialized honch Mike Sinyard

The first climb of the day comes roughly 12 miles into the ride and while the pace has been animated up to this point, it hasn’t been fast enough to burn off anyone with reasonable fitness. However, by the time we begin the second kilometer of that climb, the real sort is underway. So goes the story of the day. Each successive climb continues the sort.

 

 

Kevin Franks, a veteran of Bike Magazine and Easton Bell, is part of Specialized’s Global Marketing Team

A friend commented to me at the finish, as we were consuming an ambitious post-ride meal, the unexpected pleasure of being on a ride with 7499 other people and yet finding himself utterly alone at times. The opportunity for seclusion and quiet moments alone is arguably one of the ride’s surprise gifts.

This year, for the first time ever, I actually looked down at my Garmin unit on a couple of occasions to check the gradient of some of the pitches on King Ridge. I’d heard that there were sections at 20 percent previously. I filed the data under unnecessary. As it turns out, on two entirely different pitches I saw the numbers 24 and 25. It was less informative than a pick-me-up for my self-esteem. I was moving pretty slow.

Chris Distefano of Chris King and Cielo (back to camera), Kevin Franks and mountain bike god Scot Nicol.

 The weather on King Ridge started overcast and damp, gradually turned foggy and then near the top mist flirted with drizzle. It made some of the descents a puckery affair. There was a reward, though, for the truly fall weather. On the descent to Jenner we dropped out of the fog with just enough elevation remaining to give a view of the coast that was as sudden in its appearance as it was spectacular in expression. I’d compare it to walking into a friend’s living room only to behold Botticelli’s Venus.

I’ve done rides with a tenth of the ridership that were goat parades. I’ve never done a ride that was better organized. Sure, there was plentiful food and signage. Thank heaven all the intersections were controlled (well, we were stopped at one and at another the CHP officer was sitting in his cruiser while traffic approached), but it may be that what really defines a gran fondo in the U.S. (it’s a different beast in Italy—I accept that) isn’t the mass start or the controlled intersections.

What makes Levi’s Gran Fondo so special is that it’s an expression of place. Santa Rosa is Levi’s adopted home and they have adopted him as much as he has them. So you’ve got an adored and bona fide cycling celebrity, which is a good start. But that’s not enough. The secret really comes down to the way Carlos Perez, Greg Fisher and Yuri Hauswald—the guys behind Bike Monkey have enlisted the support of not just Santa Rosa, but Sebastopol and Jenner and Bodega Bay and more. At a certain level, the fact that the ride happens says something for the love the community has for the way the guys at Bike Monkey have created a cycling culture outsized to the community they serve, which is why the gran fondo can draw people from all over the world.

I can tell you this: If I ever miss this event, check the hospitals.

Torelli Bormio Ceramic Ultra-Lite Wheels

The wheel market has exploded with the vengeance of the mosquito population at a stagnant pond in the Deep South during a drought-plagued summer. We’ve been overrun with wheels, much the way I just overran my good sense and your patience in that last sentence.

Doubt that? Nearly every company that used to offer wheel components—DT, Campagnolo, Mavic, Shimano, American Classic, Chris King and Ambrosio for starters—now offers complete wheels. There are some notable exceptions, such as Wheelsmith and Sapim, who have elected to stick with spokes and nipples, and Phil Wood (hubs), but the vast majority of companies that produced components that I used to build wheels from now offer complete wheelsets.

By a certain sort of math, you could make an argument that expansion brought about a tripling of the wheel market. The result has changed what it means to purchase a high-end wheelset. Given the incredible number of poorly built handmade wheels I saw over the years (How many racers did I see not finish a race because their wheels didn’t hold up?), this isn’t a bad thing … on one level. On another, it can be terrible at times.

Get the freehub right and the rest of the wheel can be a cinch.

Gone is the conversation between the budding racer and the sage mechanic. I’ve been on both sides of that conversation and the chance to learn about or to teach lacing patterns or the value of equal spoke tension is a chance for someone to become a more knowledgeable, more engaged cyclist. Those conversations and choices were substantive. Clydesdales need to be steered away from alloy nipples just as bantam weight climbers ought to be steered to butted spokes. On group rides these days, so often I hear guys discussing wheel choices based on color.

Recently overheard: “I went with the American Classics because the white matched my frame.”

Really?

I’ve tried a number of aftermarket wheelsets with Campy freehubs. In both 10- and 11-speed configurations a great many of them have a problem that I consider colossal, but I rarely hear anyone complain.

That problem? Rear derailleur spoke clearance.

If I hear the rear derailleur cage tick, tick, ticking against the spokes when I’m climbing, I’m concerned. It is the bicycle equivalent of driving to Dubuque with the idiot light on. And the people who do complain about this? They are the ones who had exactly this problem—undiagnosed by their shop mechanic—stood up and flexed the wheel enough to catch the cage, sheer the carbon fiber scissors through wrapping paper and destroy the rear derailleur, the wheel and the derailleur hanger, if not the frame along the way.

Bladed spokes increase aerodynamic efficiency and decrease the chance of the derailleur rubbing spokes.

I’ve encountered this problem on more wheels than I ought. A healthy supply of 1mm spacers hasn’t corrected the problem for most of the wheels, either. One can ask the question of whether the problem is with the wheels or the derailleur, but because Campagnolo and Fulcrum wheels never have this problem—proving that it is possible to make wheels that don’t suffer this incompatibility—I lay the blame with the wheel makers.

A good review of a set of wheels really ought to be based on qualities of superior distinction, such as multiplying your power output or a freehub that dispenses cash when you hit 500 watts. Congratulating a set of wheels for competency is a bit like giving a kid AP credit for reading Harry Potter.

Regardless, the starting point for this review is the fact that the spokes of the Torelli Bormio Ceramic Ultra-Lites don’t rub on a Campy rear derailleur cage. This one feature makes them worth considering if you’re looking for a set of Campy-compatible wheels. Is that enough to warrant purchasing them? Not by a long shot.

In fact, my biggest single wheel pet peeve is trueness—actually lack thereof. I monitor wheels as I review them to see how they are holding up. Within the first 200 miles of riding these wheels I had to perform a slight truing of the rear wheel, tightening two spokes that had de-tensioned slightly. I’ve done nothing since.

This lightweight rim offers remarkable stiffness and industry-standard braking performance.

Last fall I rode Levi Leipheimer’s King Ridge Gran Fondo. For those of you who recall my ride report of the event, you may recall some grumbling about a record number of flats I experienced that day. These were the wheels I was using. The reason for the trouble was a rim strip issue.

When I returned from the ride I e-mailed Todd, the owner at Torelli, and told him about the trouble. He was on the phone to me within the minute I hit the ‘send’ button. When I saw the “Torelli” on the caller ID, I thought it was just a weird coincidence.

He asked me what color the rim strips were. When I told him they were yellow, he told me to throw them in the trash, that those were early production and had caused problems and had been since replaced with different rim strips that wouldn’t move. I’d have some new ones the next day. And I did.

Every dealer that received wheels with the yellow rim strips have been shipped the red rim strips I received.

Since receiving the new rim strips, I haven’t had a single flat and that’s even while running the paper-thin Specialized open tubulars (whose ride continues to grow on me). I remain deeply suspicious of mylar, plastic and all manner of rim strips that are anything other than Velox for one simple reason: Velox rim strips have adhesive on the bottom. Granted, it doesn’t have the sticky factor of Chinese rice, but it really doesn’t need much to just not move.

Okay, so lets move on to the bullet points featured in the marketing literature. The rims have a claimed weight of 380 grams. The front wheel has 20 spokes, the rear 24 spokes. The front is radially laced, the rear features radial lacing on the non-drive side and two-cross on the drive side. The stainless steel J-bend Sandvik spokes are bladed (0.9mm x 2.2mm) for increased aerodynamic efficiency and easy replacement.

This minimal hub keeps weight down, if at the expense of some flex due to especially long spokes.

Torelli claims they weigh 1380g for the pair—that’s with rim strips and a Shimano freehub. I have yet to review a set of wheels that weighs within 10g of the advertised weight, but these were pretty close; they came in at 1412g. I attribute the difference to the Campy freehub, but that’s just a wild assertion of the same general vicinity as most stories in the National Enquirer. I haven’t weighed the two freehub bodies. I really don’t know. At all.

The rear wheel contains six ceramic bearings and inside the freehub is a needle bearing to reduce freehub drag while descending, of which, it does an admirable job. Spin the rear wheel up with the bike in the stand and once you let go of the pedal it moves no further. It’s also remarkably quiet when freewheeling, which is a quality I associate with low drag and stealthy approaches, both of which I find handy.

Compared to many wheels in this weight range the Bormio Ceramic Ultra-Lites are surprisingly stiff laterally. Certainly there are stiffer wheels out there, but stiff isn’t really the selling point on these wheels. Their weight, incredibly low rolling resistance due to the ceramic bearings and machined aluminum braking surfaces, all for a suggested retail of $650 is why you buy these wheels.

Who doesn’t want raceable weight and low-drag bearings in an everyday wheelset?

Torelli does suggest a 180-lb. weight limit for users, but I suspect that at that weight (or more) you would be inclined to seek out a stiffer wheel regardless.

A great set of wheels really isn’t about the graphics (which on these aren’t exactly going to win any design awards—but can’t anyone get graphics right on a set of wheels anymore without sacrificing function?); it ought to be about bringing the various elements together to make a wheel set perfectly suited to its intended purpose.

In the last year I’ve tried six different aftermarket (non-Campy/Fulcrum) wheel sets meant to work with Campy. Considering functionality, weight and price, these are the best of the bunch.

The Overhaul

One of the greatest adventures of my newly minted career as a bicycle mechanic was when I was walked through my first overhaul. One Saturday just before New Year’s Eve, after we closed the shop up, the manager and I stayed behind, cranked up The Who and he began disassembling his Nuovo Record-equipped Cïocc.

Off came the wheels, then each of the cables and housing. Then he removed the brakes, the derailleurs, the cranks, and then the stem, headset and fork. Finally he disassembled the bottom bracket. As he removed each of the parts they went in the Safety-Kleen bath. He flicked a switch and left them to marinate. He coiled the cables before tossing them in the trash and he folded the chain on an old rag.

He showed me how to position the crank-bolt wrench so that you squeeze the wrench and crank arm toward each other to remove the crank bolts. But when he took the Park crank puller off the wall, a tool I had previously seen, but never used, the bicycle became as complicated as a Chinese puzzle, but with an entirely more thrilling solution.

He demonstrated how to hold the drive-side crank arm and use a Park Y-Allen to loosen the crank bolts. One sudden, firm twist broke the bolts free. I quickly learned the chainrings were tough to scrub clean.

With the frame stripped of everything save the headset cups, he washed down the frame and cleaned around the chainstay bridge, around the seatstays at the seat binder, at the head tube/down tube joint and behind the front derailleur braze-on.

We scrubbed the brakes and derailleurs down and used a rat-tail file to remove enough brake shoe material to remove any aluminum embedded in the brake shoes. They were placed on a clean rag to dry.

The quick releases received their own bath and then the non-drive-side locknut and cone were removed from each wheel’s axle. The ball bearings for the headset, each hub and the bottom bracket were placed in glass bowls, one for each size of bearing. After making sure the bearings were clean, we inspected them for scoring or any other sign of wear. Next, he took a rag, dipped it in the Safety-Kleen and then wiped shiny each of the bearing races and cones.

It was painstaking work, work for which only clear forethought and practiced technique could add speed. Satisfaction was proportional to effort.

We reassembled the wheels first; truing would happen the next weekend when he planned to glue on a new set tires. One finger-scoop-worth of Campy’s white lithium grease was applied to each race and then each bearing was placed like so many cherries into whipped cream.

When we spun the freewheel back on he showed me how to use the freewheel tool to tighten the freewheel onto the hub threads so that the rear derailleur adjustment wouldn’t be thrown off by trying to adjust the set screws relative to a not-yet fully tightened freewheel. It was fun to put my full weight into turning the wheel on the vise.

With the frame spun upside-down in the work stand, we finished off the headset and then re-inserted the fork and spun on the headset’s adjustable cup.

We reattached the derailleurs and brakes, and made sure to remount the front derailleur exactly where the clamp had made indentations on the braze-on. New cables ran from each lever. We cut new housing to match the lengths of the old spans. We only needed 4 and 5mm Allen wrenches and an 8mm box wrench. A quick stretch of the cables and then we tightened them once again.

A week later I decided I would overhaul my touring bike. When I realized that the hubs and bottom bracket used sealed bearings (which were pretty exotic for those days), I felt cheated; the experience was less thorough than I’d anticipated. It’s a bit like traveling to Paris with the expectation that you’ll get to speak French, only to have everyone there look at your shoes and speak to you in English.

A few months later I purchased a used Super Record-equipped Miele. The first thing I did was overhaul the bike and replace the brinelled headset with a Chris King—kind of ironic given my previous experience, but my time in shops had taught me that no headset was longer-lasting and less likely to brinell than the King.

As the years passed, overhauling my bike between Christmas and New Year’s became a tradition for me, much like the annual company New Year’s Eve party is for some folks, only this was a good deal more contemplative and peaceful.

These days I’ve see the overhaul as a metaphor for many aspects of my cycling life. Every year I break out the tape measure and goniometer and go over my fit with the help of friend who does fittings for a local shop. We break it down beginning with an examination of my flexibility and ending with a thorough examination of me on my bikes.

Last year, I overhauled my workspace in the garage, tossing out old crap, filling a box with stuff to sell on Craigslist and sorting the stuff I planned to keep. It was a catharsis, and because the adventure was novel as my first shave, it was exhilarating as well.

This winter I’m in the process of overhauling my fitness. An injury last year followed by the birth of my son left me adrift of my usual mileage; I was as unacquainted with my usual fitness as the incarcerated are with take-out. Getting me in my jeans was as difficult as passing a rich man through the eye of a needle.

So this winter I overhauled my riding routines. I’ve sworn off the fastest group rides that are a normal part of my riding week. I’m riding on my own more, and I’m wearing a heart rate monitor—not for the hard efforts; rather, to remind me just how easy easy is these days. It’s kind of a will-governor, if you will.

I always derived immense satisfaction from running through the gears one last time while the bike was still in the stand, checking the throw on the brake levers and then removing the bike to pump up the tires before a quick inspection spin. I’m not sure what this personal overhaul will yield, and it will be hard to say just what finished is as our lives are unfinished until departure. Until then, I will stick to the process. I know the process results in satisfaction.

An Interview With Steve Hampsten, Part II

In Part II of my interview with Steve Hampsten I get Steve to talk about several of his big loves in equipment: 650B wheels, the constructeur movement and Columbus MAX tubing. His perspective isn’t what I’d call mainstream, but his rationale is so clear that the alternative he offers is truly compelling.

PB—You’ve been at ground zero for the constructeur movement and 650B wheels. What is it about those that interests you and what practical value do you think they offer the average cyclist?

SH—Constructeur bikes—which I’ll define as a made-to-order frame and fork designed to work with dedicated lights, fenders, and (usually) a front bag and rack—have become pretty popular of late. I think they’re an attempt at creating a bicycle that will work well in the real world in terms of being usable in varying types of weather and lighting conditions, and when carrying more than just a spare tube and a gel. As a designer with a hands-on approach, I find integrating the racks, lights, tires, and fenders of these bikes to be both challenging and rewarding—each one is just a little different.

650B wheels are interesting and becoming more so each year. A 650B x 38mm tire offers roughly the same outside diameter as a 700c x 23mm tire—so it’s essentially the same wheel size that most of us are used to but with a much larger volume of air. They’re nice when riding on really rough roads, when carrying a heavy load, when you want that certain Frenchy je ne sais quois—or when you want all three. Currently I have three 650B flat-bar bikes in the works: all three designed as shopping bikes but each is taking a different approach in one form or another.

We should see at least two new 650B x 38mm tires this year—the size many feel is ideal for this wheel—and I think they’ll be better quality than anything we’ve seen previously. It’s maybe not the ideal go-fast tire size but it is comfortable, grippy, and elegantly classic-looking.

PB—How would you compare/contrast the use of 650B wheels to the newish road bike category of endurance bikes like the Specialized Roubaix, Trek Pilot and Felt Z-series which share a longer wheelbase, slacker head tube angle, more fork rake and longer head tube resulting in a higher bar position?

SH—I wouldn’t really compare them at all. The three you mention are closer to our own Strada Bianca and to the Moots Mootour/IF Club Racer/ Co-Mo Nor’wester than they are to a 650B bike like the Rivendell Saluki or Tournesol Pavé. I think most 700C bikes are good for moving a rider and (maybe) a small load over a variety of road surfaces but as the load increases—or the surface becomes less smooth—then smaller wheels with bigger tires start to make more sense. But I like that bigger companies are offering bikes that aren’t simply dumbed-down Pro Tour race bikes, that they’re entertaining the idea there might be more riding experiences to be had than simply hammering along a road in mad pursuit of … what?

PB—Let’s talk a practical consideration: For better or worse, most riders on most group rides are running a 23mm tire at 8 bar (and some guys are running pressure much higher than that). Rolling resistance is much lower than running a 28mm tire at 7 bar or less. That’s some noticeable extra wattage you have to put out to maintain pace with the ride. Do you maintain that these bikes are appropriate for most roadies?

SH—Well Patrick, I’ll have to disagree here with you here: I don’t think that skinny tires pumped hard roll much faster than fatter tires run slightly softer. I agree they FEEL faster because you’re getting more feedback from the road surface and you’re bouncing over all the little bumps and most folks think that feels like speed. I like my skinny tires for some riding and I like the fatties for other rides. I do notice the larger tires seem a little more sluggish to accelerate, which they should as it’s more weight to get moving. But on gravel or on a bumpy road, I’ll take the bigger tire as they feel smoother when rolling and more planted in corners. Horses for courses, as they say.

PB—If you could only ride one bike, a bike that needed to be versatile enough to do your favorite group rides and more, what would that bike be? What size wheels would it have? What would the geo be? What frame material? And heck, what parts would you put on it?

SH—It’d be a welded steel frame from light tubing, probably with a steel fork and for 57mm-reach calipers, same as our Classic model. 700c x 25 or 28mm tires for the day-to-day stuff, maybe 24mm Vittoria Pavé with fenders for the six damp months a year up here, 33.3mm tires for the epic rides. 73 X 72.8, 46mm rake, 70mm BB drop, chainstays at 420mm. I like handbuilt wheels, anything from the Chris King catalog, and SRAM Force is my current favorite kit. Thomson, Fi’zi:k, Deda Zero100 bars, King Cages … bliss.

PB—How many people actually work for Hampsten? Tell us a bit more, if you would, about Max and Martin.

SH—Hampsten is me as the only full-time employee. I have a part-time mechanic, Chris Boedecker, who helps with assembly, repairs, and wheelbuilding as needed. Max does the in-house welded frames and has been building our custom racks, Martin does all of our lugged frames/forks and makes our extra brazed forks as needed.

Max Kullaway started at Rhygin, then moved over to Merlin where he learned to weld – this was back in their days in MA – then worked at Seven until moving out here a couple of years ago. He’s working at a local metal fabrication outfit and also welding titanium frames for Davidson. He and fellow ex-Sevenite, Bernard Georges, have started their own framebuilding gig called 333fab—say “triple-three-fab”—building steel and ti frames for both road and cyclocross. In his spare time Max welds some frames for me, here at my shop – he’s a busy lad!

Martin Tweedy took the framebuilding class at UBI back in 1996 or so then became the first employee at Match Bicycle Company where he brazed several hundred lugged frames for Schwinn Paramount, Beckman, and Rivendell. When Match closed up he worked for Dave Levy at Ti Cycles doing Dave’s brazed frames as well as helping with the Hampsten frames then coming out of Dave’s shop. He had his own line of “Palmares”-badged lugged frames and he has built almost all of the lugged Hampsten frames since 2001. Martin is credited with creating the Hampsten Gran Paradiso/Race geometry back when we worked together at Match; Dave Levy gets most of the credit for the Strada Bianca geometry.

PB—How important is frame material to you? Do you have a preferred frame material?

SH—I like materials that can be welded or brazed. Currently I’m loving my steel frames for their springy resilience but I’m also looking forward to putting some miles in on my aluminum winter bike—I think having a light, stiff bike makes me go a little harder on the hills and maybe slows the fitness degeneration as the days get colder and darker. Titanium feels good too but I just haven’t been grabbing my ti bike as much this year. But overall I’ll take frame fit and design over material choice—I think a good frame can be built from any of the materials out there. (As a footnote: I sure liked all my carbon bikes from Parlee and I can’t imagine that anyone could do carbon better. But Parlee’s pricing moved to a point where I didn’t feel comfortable offering their frames and we parted ways amicably.)

PB—You’ve been getting into building with Columbus MAX. If there’s a stiffer ferrous tubeset on the market, I haven’t ridden it. It’s stiffer than almost every aluminum frame I’ve ridden. Is MAX strictly the domain of the big man, or does it have other applications?

SH—It’s not the tubeset that’s overly stiff, it’s what you do with it that determines how the frame will ride. We’re talking about a top tube that is 31.8mm, bi-axially ovalized, butts are .7/.4/.7mm, and the down tube is 35mm with .8/.5/.8, also ovalized on opposing axes. The seat tube is pretty standard, we don’t use the MAX seatstays, and the chainstays are tall but not crazy heavy. Overall I’d say the wall thicknesses are what we would typically use on many of our steel frames but the MAX diameters are increased by almost 10% which should give an increase in stiffness of about 20%. We don’t use the MAX forks and we save some weight by welding rather than using the MAX lugs and BB shell.

So I could take that tubing and build you a really stiff, short wheel-based race bike and we could pair it with some tall rims and skinny tires pumped hard and we could make it ride like crap—stiff enough to rattle your fillings.

Or we could lengthen the wheelbase, slacken the angles, and orient the top tube so that the oval section was flexing at the head tube, and combine with a carbon or light steel fork. I’d use some lighter seat stays, possibly replace the chainstays with something smaller, put you on some hand-built 3-cross wheels with 28mm tires pumped to 85-90psi and make sure there was enough dirt, cobbles, and/or gravel on the ride to get your attention – then you would see the beauty of the MAX tubeset.

I think it helps to be at or above 180 pounds and to not be too hung up on the weight of the bike but I think MAX is a good example of older technology that still works great today. More on MAX here.

Finis

Interbike: the Faces II

In shooting industry folk for my last post, I shot so many images, I couldn’t fit them all into a single post, so I’ve decided to do another and do so knowing that I will have omitted some terrific people. They are what, for me, make the trip to Vegas something I look forward to each year.

Above is Ted Costantino, the founding editor of Bicycle Guide. It was his guidance of the magazine that inspired in me a desire to write about cycling; his editors were good enough to light aspiration in me. All of the magazines showed me that being a bike magazine editor was cool, but BG made me want to write about cycling with real literary flair. Today Ted is the publisher of Velo Press and I periodically send him book proposals. I’ve wanted to work for this guy since the 1980s; I’ll find a way to do it some day.

Carson Stanwood taught me the value of a good PR guy. Part comic, part encyclopedia, part hale goodfellow and part dedicated rider, Carson is one of those guys who just gets it. He’s never pitched me on something as unnecessary as a hernia; his accounts have always been an A-list of companies I can’t know too much about. In 1997 he gave me a T-shirt commemorating Interbike with the slogan, “Help, I’m talking and I can’t shut up!” It’s still in rotation.

Chris King’s head of marketing, Chris Distefano (left) and co-worker Abby (whose last name I didn’t get, at right), caught here doing the hangover ride to Lake Mead and back. If there’s a magnetic north pole to cool somewhere in the universe, Chris is there with a bike sporting a product you’re dying to ride.

I began reading Richard Cunningham’s work at Mountain Bike Action before I ever scored a byline. I’ve long envied his creativity in frame design and prose; a combination you won’t find in too many places.

Brad Roe, right, is the editor for Road Bike Action and the man who invited me to contribute to their editorial efforts. Jonathan Edwards, left, is a doctor and one of the contributing editors to the magazine. Brad has overseen the magazine’s evolution from being written by a single editor to one that brings readers a number of voices. He’s receptive to new ideas and has a light touch as an editor; it’s a killer combination.

Ben Delaney, at left, and Sean Watkins, right, are both very fast Cat. 1 racers. As it happens, they are both employed by Competitor Group, where Ben is the editor of VeloNews and Sean helps to oversee advertising sales for the entire group of magazines (which also includes Inside Triathlon and Triathlete). I met Ben when he was a staff editor for Bicycle Retailer and Industry News and he later freelanced for me at Asphalt. He’s everything you’d want in a contributor: good, easy going and on-time. I imagine he’s even better as a boss. Before joining the staff of Triathlete, Sean was an ad sales guy for Winning, Bicycle Guide and Triathlete when they were owned by another publisher, and he’s been fast for, well, he was a member of the Skittles team and called Lance Armstrong teammate.

Steve Frothingham is another former Bicycle Retailer guy who now works for VeloNews as their online editor. I contribute from time to time and Steve’s an easy guy to work with. In between his Bicycle Retailer days and joining VeloNews, Steve got a masters’ in journalism and spent some serious time in the trenches working for the Associated Press.

I got to know “A Dog in a Hat” author Joe Parkin in the fall of ’95 when he was racing for Diamond Back and he and teammie Gunnar Shogren spent the season racing ‘cross in New England. I already knew who he was from his days as a roadie in Europe and racing domestically for Coors Light. When I joined the staff of Bicycle Guide, I stayed in touch with Joe and he always had a ready quote for me. My trip to Interbike is incomplete without saying hi, and it’s nice to see his book has met with such success. He’s promised to carve out some time to contribute to Red Kite Prayer.

Matt Pacocha impressed the folks at VeloNews well enough to make the leap from pro mountain bike racer and freelancer to staff technical writer. It’s a good thing, too. He’s still super-fast and writes some very clear prose.

Dominique Rollin, left, of the Cervelo Test Team made the jump from domestic racing to Europe and did quite well in his first year. Len Pettyjohn, right, is the former director of Coors Light and is with a new venture now, called Centurion Cycling. Len will be producing a series of Gran Fondo rides in ’10 that will be both epic and fun. I’ve been quoting him in articles for more than 10 years.

Dave Letteiri once interviewed me for a position as a mechanic for the Chevrolet/L.A. Sheriffs cycling team. Most of the interview focused on my ability to keep cool if I was being yelled at by an amped-up rider. Since then, Dave’s career has been devoted to Fastrack Bicycles in Santa Barbara where he is an integral part of the cycling scene. His shop looks a bit like a bomb went off, but has some priceless cycling memorabilia that makes it a must-visit for anyone passing through the town.

Derin and Kurt Stockton ought to be legendary for their exploits. Kurt is a former US Pro champion (1990) and Derin raced in Europe for Tulip, among other teams. When I joined the staff of Bicycle Guide, Derin was a contributing editor and did some extraordinary work. Since then he has raced pro downhill and these days is a strength and conditioning coach for pro motocrossers in Temecula, Calif. Kurt has stayed close to the road world and has managed several teams and has plans to announce something new in the near future.

Jim Stevenson is from my neck of the woods, but got out of the South before I did. The number of mutual friends we have in Tennessee and Missisippi are enough to make you think we are fraternity brothers, and in a way I guess we are. Since his departure he has worked for Centurion/Diamondback, GT, Felt and now Bianchi, where he is national sales manager. If there is one guy’s brain in the industry I’d love to download, he’d be at the top of the list.

Nic Sims is Specialized’s media relations guy for the bike industry. You’ve probably seen him on Versus talking up the latest in Specialized technologies. He’s witty, passionate and has the energy of a five year old on Red Bull. He was one of the first guys I talked to in the industry to really understand the power of blogs as a new form of media.

Josh Rebol is one of the instructors for Specialized’s SBCU. Prior to joining Specialized, he was was at Hazard’s in Santa Barbara where all he did fits all day, every day. When I have a question about fit, he’s one of the first guys I go to.

That’s Robin Thurston, one of the biggest-picture thinkers I’ve encountered in the bike industry. He’s the visionary behind Map My Ride. His business acumen is formidable and he paid serious dues racing in Europe before thinking about how GPS could change our interaction with our world. This guy is one to watch.

Assos’ Larry Kohn and Kim Schramer. They are bringing Assos the level of recognition the line deserves and are among a short list of lines that have really seen the value in the bicycle studio concept. Larry was a big fan of Belgium Knee Warmers and stepped up right away to support Red Kite Prayer.

Of all the cycling clothing companies to see the value of offering both custom clothing to teams and a collection for those who want something fresh looking without the crush of manufacturers’ logos that some team jerseys are, I don’t think anyone has done a better job of it than Gary Vasconi and the crew at Capo Forma. Gary eats, drinks and sleeps the roadie life and gets it like only a true roadie can.

Brian Worthy is the U.S. representative for one of the world’s best custom clothing lines: Vermarc. The Belgian line sponsors one team: Quick Step. However, if you look around a bit, you’ll see a lot of PROs wearing their stuff—their teams just buy it. Why? It’s that good.

Michael Foley and Ken DeCesari are two of the men behind the incredible growth of Sock Guy. Foley was the man behind the launch of Bike magazine and was with Bicycle Guide before that. He’s well-connected and seems always to know what’s happening even before it has happened. I’ve learned loads from that guy.

J.P. Partland is an old friend who has contributed to every magazine I’ve worked for in the industry. These days, one of his primary gigs is writing the incredible detailed copy for the Competitive Cyclist site, along with honch Brendan Quirk. He lives in New York City and can be found at the races most weekends in the PRO/1/2 field.

Chad Nordwall is the man behind Above Category bicycle studio in Mill Valley, Calif., which is probably the only community in America to sport two incredible bicycle studios (the other being Studio Velo). Above Category is likely to become an object lesson in how to present cycling in a more professional manner and the competition between the two shops will make each even better.

My apologies to the dozens of other friends I didn’t see or just plain forgot to shoot when I saw you on the floor.

Oregon Manifest

There isn’t a community in the United States working harder to convince the rest of the country that it is the preeminent cycling city than Portland. There are lots of great cycling cities, but Portland wants to be known as more than just a great place to ride. Cyclists there are working hard to foster a cycling culture that permeates the very fabric of life, so that cycling is no more fringe than TV.

As if to prove a point, members of the Portand cycling community have come together to put on an event this coming fall called Oregon Manifest. I like the name if for no other reason than it makes an ironic reference to the concept of Manifest Destiny. Just what would happen to the United States if the culture of cycling-mad Oregon spread south and east?

Oregon Manifest runs from October 2 through November 8, 2009. For six consecutive weekends, cyclists will descend upon Portland for a variety of events. Events include a builder’s challenge, cyclocross races, single speed races, the Oregon Handmade Bicycle Show and more.

While the Oregon Handmade Bicycle Show is an obvious draw, one of the most interesting events of the OM will be the Construtor’s Challenge. While I can try to explain it, the explanation is better in their words. From the release:

The Constructor’s Design Challenge will present bicycle frame builders and designers from around the nation with the opportunity to create an innovative, modern transportation bike—a technical challenge combining engineering dexterity with fabrication mettle. The country’s most accomplished makers of hand-built, custom bikes will take up the challenge, including Vanilla from Portland, Igleheart from Wenham, MA., and Independent Fabrication from Somerville, MA. More than 40 builders are expected to field entries.

“The Constructor’s Design Challenge is the centerpiece of this year’s Oregon Manifest,” explained Jocelyn SyCip, Oregon Manifest‘s Director.  “If the bicycle is ever to realize its potential to change the urban transportation landscape – and mindset – it’ll take a bike that can multi-task the demands of everyday urban transport. The Constructor’s Design Challenge is a unique way to jump start the conversation about what constitutes a great, modern, all-around transportation bike.”

Pardon a little piece of postmodern commentary on my part. I don’t see Red Kite Prayer as a traditional cycling media outlet. There are plenty of avenues for you to get the facts or find out about events you might like. I’m recommending this because in talking with people involved, I sense a passion larger than can be contained in a simple press release or web site. For the people behind the Oregon Manifest, the future is two-wheeled and green. Their vision might be so strange as to seem sci-fi, but their world has no room for the dystopia of Philip K. Dick and Robert Heinlein. They’ve overcome the entropy of society and are bringing cycling-friendly city planning to a city near you.

The Constructor’s Design Challenge has a second part that will cauterize pixels worldwide—a 77-mile race that all completed creations will be raced over. The Rapha-conceived event will merge epic cycling events with eco-transportation is a way that ought to set back the cause of green cycling 20 years. Who wants to think of “getting there” as a challenge? But then those of us who love bicycles want green transportation that is functional, romantic and at least a touch lively.

One of the more impressive aspects of the Oregon Manifest is the way that the organizers have rallied the local troops. Chris King is a presenting sponsor. Locally based companies such as Swobo, Castelli and the United Bicycle Institute along with less likely entities such as the City of Portland, Travel Portland and the Portland Development Commission. It’s easy to dismiss support from the local government for an event that promotes the local community, but when you consider just how hard it is to try to recruit city leaders to the cycling cause, then you begin to see what a great pitch those behind Oregon Manifest have going.