The big news from Cervelo wasn’t exactly earth-shattering, but it was good news nonetheless. The company’s S5 model, their very quick aero road frame is now available in the company’s relatively recent VWD variant. The upshot here is that the S5 should now have a livelier presence on the road. Also, the company debuted any number of new finishes, which if there has been one thing about Cervelo that can get really old it’s that the company can go years without changing a paint scheme. Not only are the new finishes, well, new, but I think they are pretty good looking and some of them even forego the clearcoat that covers almost all of their work, which is another step in the right direction in terms of road feel.
Race-winning bikes are always fun to check out at Interbike and Cervelo didn’t miss the opportunity to show off Ryder Hesjedal’s rig from his recent Giro win. Take a moment, if you would, to look at the incredible amount of seatpost showing on this 56cm frame as well as the 14cm tiller keeping the handlebar in place. I couldn’t help noticing, either that with the Di2 batter in its spot, the seat-tube-mounted water bottle cage is too low to allow the water bottle to be fully inserted. That’s a small oops in an otherwise amazing bike and crazy PRO fit. How anyone can ride that low and still climb remains a mystery to me.
I saw a bunch of new bags at Lezyne (rhymes with design). Given the cost of a decent pair of bibs—let alone the cost of an amazing pair of bibs—I’m unwilling to use a seat bag that features a Velcro strap that wraps around the seatpost. My favorite designs that qualify are from Fi’zi:k and Lezyne and this new design shown on the white bag above uses a clamp that secures to the saddle rails and allows the seat bag to be removed as easily as some bike computers. No rattle, no Velcro.
Also new at Lezyne were a couple of smart phone bags that allow you to protect your smart phone while maximizing the space in your back pocket. In insulating the phone while combining a few pockets with the overall carrier, plus adding a loop of webbing for ultra-quick retrieval, they created one of the most useful and truly new products I saw at the show. Well done.
The Mega Drive light, shown above, foreground, is a 1000 lumens light that will last for 1.5 hrs. At 500 lumens it will go for three hours, while on the 200 lumens setting it will last a whopping seven hours. All for $200. I suspect this light and the many other new lights in Lezyne’s line will be cast in the roles of game changers. We pointed the light at the roof of the convention center while on the 1000 lumens setting; it was bright enough at that distance to reveal that the Sands could use a serious dusting above the 60-foot elevation. I’m just sayin’.
File this one under “Not Dead Yet.” The GF02 is a new bike from BMC. It takes the design concepts used in the carbon fiber gran fondo bike, GF01—such as the whispy, flexing seat stays—and translates them into an aluminum frame. Yep, aluminum. This Red-equipped bike weighed in under 16 lbs. The production bike will be sold with choices of Red, Ultegra Di2, Ultegra or 105 and will bring BMC’s work into a new, more affordable price tier.
Chrome has been the go-to brand for the urban commuter since essentially the brand’s inception. They’ve expanded their offerings over the years into clothing, some urban-oriented technical wear and now they even offer shoes. Everything I saw from them at the show seemed really solid, but the items that most impressed me were their new series of camera bags. The open bag on display here will carry a couple of camera bodies as well as lenses and has a pocket (note where the hand is slipping into the bag) that will fit a 15″ laptop. There are waterproof pockets for your SD cards and given that it zips open like butterfly wings, everything within the bag is easily accessible. I don’t really want to carry that much camera gear while riding a bike (I mean, I seriously don’t want that much camera gear on my body, ever, but if it was, I wouldn’t want to have to ride a bicycle at the same time) but I concede that there are times when nothing else would be as practical. In those instances, this bag looks as well-thought-out as any I’ve ever seen.
A Personal Note
For each of the last 20 years I’ve gone to Interbike with the stated intention of seeing the latest and greatest the bike industry has to offer. When I went to my first show, in Atlantic City back in 1992, it really was just to see the bike stuff. I was eager to see all the stuff the shop I worked for wasn’t carrying. Every time I could get someone to acknowledge me and walk me through their products it was a kind of victory. Heck, back then, I really didn’t even know what questions to ask.
At a certain point in my education I began to understand how to ask the right questions, questions that showed I not only was interested in the product at hand, but understood the challenge of creating a competitive product within that category, which would lead to questions like, “Why did you decide to go with the full zip rather than the 3/4 invisible zip?” It was an opening for someone to talk about who they were as a company.
It took a while but there came a point when I realized that no matter how many of those questions I asked, I really hadn’t built a relationship with any of the staff at those companies. It wasn’t until we allowed the conversation to veer off-topic, into the riding we did, the traveling that’s not for work, where we live or family and heritage. These days, those are the conversations I live for. That’s where the magic happens, where you can really have a laugh. Robot and I spent some time in the Gita booth talking with creative director Jenny Tuttle. Gita is based in Charlotte, North Carolina, which gave us a chance to talk about the South and Southern Vernacular, in particular the obvious difference between saying “y’all” and “all y’all.” And we may have even bonded over the insane usefulness of a statement like, “All y’all are full of shit.” I didn’t know Jenny before that day, but I walked out of their booth convinced she’s my kinda peeps.
When I was young, I used to think that talking family was kind of a copout, like you had run out of more important stuff to talk about. Some years passed between when I understood what talking family meant and when my son was born and with the advent of Facebook, there was a lot of talk of kids at the show. Crazy what kind of fun that is. That said, the most memorable and even most visceral conversation I had at the show was with a group of guys in the Enve booth where the talk of the number of kids inevitably turned to talk of controlling the number of kids. Yes, the big V. And I don’t mean victory. One among us had done it and I can assure you no talk at the show caused anyone to to squirm more or laugh harder than I did that morning.
So let’s start this off with a correction. This is the image I meant to pull for Day 1′s mention of the BMC TMR01, their new aero road frame. I plead thumbnail size.
The fork design is fascinating for the way it hides the brake cable and as an illustration of the lengths that engineers have to go to avoid violating any of the UCI’s ridiculous rules regarding aerodynamics. In a way the brilliance here is less a demonstration of real creativity than an indictment of the terrible way in which the UCI wields power. Yeah, I bet you were thinking that we’d leave criticism of the UCI just for discussions of doping.
I dropped by Hincapie and saw a number of new designs. Fit seems to continue to improve with them (I’ve got a kit from ’12 that I’ve been meaning to review that is the best-fitting from them I’ve ever worn) and thanks to designs like this one, the look is better than ever.
This big news at Campagnolo is the new Athena 11 with triple. While my personal preference these days is to go compact, I have always supported triples and in the case of Campagnolo and their Ergopower levers, found them easy to set up and shift. Yes, they are heavier and result in a wider Q, but they aren’t the wildebeests that some would have you believe. The combination of a triple and an 11-speed 12-29 cassette will let anyone go almost anywhere paved without having to buy a $7000 (or more) bike.
Among a great many cool things I saw at Ritchey was this display of two mountain bikes, both featuring 650B wheels. The industry seems ready to endorse this wheel size en masse. More nimble than 29-inch-wheeled mountain bikes and better rolling than its 26-inch-wheeled counterarts, everyone’s touting 650B as a great compromise. Shown here are Ritchey’s new P-650b (the red, white and blue bike in back) and a mountain bike that Tom built back in the 1977 (think Debbie Boone and Fleetwood Mac). Yep, both feature 650B wheels. I didn’t even have time to get into where Ritchey found the rims and tires back then, but the bike implicitly begs the question.
And if you’ve never had reason to appreciate just how fine Ritchey’s fillet brazing is, here’s the seat cluster from that 560B mountain bike he built in ’77. This is on my list of the top-five prettiest things I saw at Interbike.
The Legend is the new shoe from Giro that you’ve already been seeing on Taylor Phinney’s rather sizable dogs. Whether you dig the lace-up design or not, one of the notable features—perhaps the most notable feature of the new shoe—is the Teijin upper. Teijin is a microfiber material with greater durability and less stretch than traditional leather (meaning you won’t kill your shoes by going for a ride in the rain), but Giro found a way to make the upper from a single, seamless piece of the material. Crazy.
Giro’s designers decided to do a bunch of one-off exercises on the Legend for its launch. This one, a nod to classic hiking boots from companies like Asolo, re-imagines the Legend with the one-piece Teijin upper made to look like tanned leather. I couldn’t not shoot this. It would totally be the shiz for ‘cross racing. Right?
The Reverb is one of Giro’s many helmets aimed at commuters. What makes the Reverb different (and remember that reverb is a first-cousin to echo) is the way its design calls upon the past in a very specific way. It looks like the old LeMond Air Attack helmet even more than my son looks like me. Last year they offered the Reverb in the same Tequila Sunrise finish they offered circa 1992. This year’s palette includes this nod to LeMond’s Team Z helmet that he wore to victory in 1990.
There was a time when Pearl Izumi was my absolute barometer for great cycling clothing. In the 1990s custom team clothing was a step down from what Pearl offered. I raced in my team kit, but I trained in Pearl. Just how it was. And then something happened—okay, I’ll tell you what happened: custom team clothing, from companies like Voler, improved dramatically, and for a period of time Pearl lost their way, releasing boatloads of clothing that was good, but not amazing. There’s been a shakeup at Pearl and one of their brightest and most insightful designers has returned. The line has received a pretty serious overhaul and I saw piece after piece that I’d put up against the best stuff coming out of Capo or Giordana.