I’ve visited what feels like a hundred different cycling blogs. I love seeing what else is out there. Unfortunately, there aren’t that many I find myself visiting a third, fourth, fifth time. It’s once they become something that is part of my regular rotation that I really take note. Honestly, I’m surprised to learn what I find myself drawn back to repeatedly, those blogs that I need a fix of.
There’s a definite A-list. Competitive Cyclist’s “What’s New,” by Brendan Quirk, my old coworker Joe Lindsey’s “Boulder Report” and Bill Strickland’s “The Selection” are three that I wouldn’t want to live without. Fat Cyclist is my first-choice fix for humor and heart. But when it comes to European racing, I head to Pavé and The Inner Ring.
Bombshell alert: If you haven’t heard, Whit Yost has decided to cease publishing Pavé.
If ever I have experienced ambivalence, I’m having it right now. The thought that Pavé is going away is a lot like having a friend move away. I want a beer … or three. But by most definitions, there’s a silver lining. Two of the shining stars that made Pavé so great, Whit and Jeremy Rauch have agreed to contribute to RKP. I should be over the moon that two more stellar writers are joining RKP, but I can’t help be disappointed to see the blog go. And the thought that someone might think I was profiting off its demise would pain me. Worse, I see it through the lens of my own failures; as a result I understand it as the end of someone’s dream and that makes me really sad.
Whit and I have been in touch from time to time, sharing ideas and the requisite passion. How can you not? So when he informed me that he was going to wind Pavé down, I insisted that the cycling world shouldn’t lose his voice. The same, at minimum, for Jeremy. The truth is, there have been a number of great contributors at Pavé. I’m taking the biggest bite I can right now.
As if you need any justification for how good Whit’s work is, you’ll also be seeing his byline in Bicycling, both in print and online.
I’m going to level with you: I was never the guy who threw the party that everyone had to attend. That RKP—okay—that I have managed to recruit and attract so much extraordinary talent in just a few months time leaves me as pleasantly surprised as you. I’d have been okay if RKP was doing tomorrow exactly what it was doing last July. Not the same exact posts, mind you, but being based primarily on my and Robot’s work. Traffic was growing, the audience was happy and we were having fun doing work that we enjoyed doing. I swear to you, more than that was not necessary.
RKP has afforded me the opportunity to be the editor I always wanted to have. That is, to be encouraged to do good work and not worry about whether or not there was a ready audience or how the audience might benefit. Good prose is a benefit enough. But something’s happening here. RKP is becoming a repository for an alternative take on cycling writing. Richer, deeper, personal, it doesn’t qualify as journalism in the strictest sense.
In speaking to a few trusted friends about RKP’s growth they expressed some concern that RKP might end up focusing less on what our primary strength has been. In Competitive Cyclist’s End of the Year Awards Brendan Quirk wrote: “In reading RKP I’m often reminded of the days of yore when Campagnolo coined the phrase Quando La Tecnologia Diventa Emozione — ‘Where Technology Becomes Emotion.’ RKP is at its best when it focuses there — at that magical place in cycling where what we feel is inseparable from what we’re riding.”
I was as complimented by that as anything anyone has written about us. I don’t want four more contributors to do what Robot and I do. I want to see our bag of tricks grow. I want us to do more of the things we only occasionally do and I want to do it at the level of quality that our readers have come to expect. In adding Charles Pelkey, John Wilcockson, Whit Yost and Jeremy Rauch to RKP’s masthead, I’m certain that what you will find here will be broader editorially, but still in keeping with what you’ve come to expect from us. Our core mission of analysis, insight and inspiration will be well-served by these talented writers. And there’s a chance that such a great cast of characters will result in a prosodic critical mass, inspiring each of us to even better work in a verb-fueled synergy. Just maybe.
I hope you’re as excited for our future as I am.